Otrupon Yeku

nº 183 of 256

Where it was born that women paint their faces: an Ifá of death circling and of abikú who must be tied down — you have to hold on to Shangó.

11 patakíes 5 eewó 9 ebbós and works 12 proverbs

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Otrupon Yeku is Odù number 183 of the 256 in Ifá, part of the Otrupon family. This page brings together its prayer in Yoruba, 11 patakíes (3 with the full text), its proverbs, 9 ebbós and works and the signs it shows in the consultation — with the full eewó in plain sight; the detail of iré and osogbo and the full recipes open with The Notebook, in English.

The sign at a glance

Order in Ifá
Odù 183 of 256
Composition
Otrupon over Oyekun
Orishas that speak
Shangó · Oyá · Orunmila · Obatalá · Ogún · Oshún · Osain · Oduduwa · Egun · Ibeyis (the twins)

What Ifá says in this sign

Otrupon Yeku is the sign where it was born that women paint their faces — cosmetics are its invention — and where nothing black can be worn: this odu lives on light, because death circles close to it. Its truth from birth: you are abikú — you were born marked, and you have to be tied down so you do not leave.

Its clinical warning is one of a kind: even when iré comes, it marks illness — in the house there is, or there will be, someone gravely ill: the iré of this odu excuses you from neither the doctor nor the work. The person here is «more dead than alive», and the orugbo is what lifts them: the beef on the hot iron — with the warmed water that is drunk — is this odu's resurrection ceremony.

«Even when iré comes, it marks illness — the iré of Otrupon Yeku excuses you from neither the doctor nor the work.»The pulse of Otrupon Yeku

Your money has a thermostat: the door is hot, and that is why money does not come in — scrub it with herbs and give it blood: money comes in through cool doors. And do not throw curses: the mouth that curses turns aside the money already on its way to you.

What is pending in the heart: the resentment toward a brother — of blood, of osha or of Ifá — is healed before it makes you sicker; the husband who has you going without, onto the mat; the meal you are invited to, turned down: they are preparing something to kill you; and hold on to Shangó when death circles — he is your column in this odu.

And the love secret of this sign: setting Oyá to eat with Orunmila to draw the woman in — the alliance of the wind and of wisdom brings company. Move the furniture around (the bed first), give thanks to the twins for the love that is coming, and to the marked abikú, her tie-down: the one born marked to leave, well tied down, stays and lives her whole life.

The sign in one line

Dress in light colors, cool your door and tie down your abikú — Otrupon Yeku lifts up with Shangó the one who was more dead than alive.

The prayer of Otrupon Yeku · Yoruba

Otrupón Yekú Oyekuke Ikú Yeye Adifafun Iroko. Akukó Odifa Shaoko Tobo Sile Akukó Eyelé Aiboncha Cáscara De Maní, Kaferefún Shangó, Obbatalá Y Oggún.

Súyere
Evo evo nidira evo gulleguayo, evo evo toviseleso evo gulleguayo.

Ifá says — what Otrupon Yeku tells you

Proverbs of Otrupon Yeku · Òwe

9 proverb interpretations in this Odù, locked.Every proverb explained: which road it comes from and how it applies.Unlock →

Iré and Osogbo

5 iré and osogbo readings in this Odù, locked.The iré and osogbo of the sign, sorted by subject — health, money, love, death, loss…Unlock →

What is born in Otrupon Yeku · Ìbí

What is forbidden · Eewó

The full eewó of this Odù, open to everyone — with the road each ban came out of.

Ebbós of Otrupon Yeku · The sacrifices that open the road

6 ebbós in this Odù, locked.Each full recipe: ingredients, preparation and where it goes.Unlock →

Works of Otrupon Yeku · The workings of the sign

3 works in this Odù, locked.Each full recipe: ingredients, preparation and where it goes.Unlock →

Patakíes of Otrupon Yeku · The roads of the Odù

1For not believing in Orunmila he lost all his riches

A king of a rich region went to Orunmila to know about his son's life; Orunmila saw this Ifá and told him to bring the son to be made ebbó, or they would go through great trouble. The king, trusting in his own power, left without obeying. The son went out walking, saw a cherry tree loaded with fruit in a yard, climbed it without asking permission — and when he tried to come down and to speak, he could not: he was left paralyzed. The king sent a servant to fetch him, who also went in without permission and was left paralyzed under the tree. The king came himself, asked permission, sat down in a chair, and the owner of the yard — an ozainista — explained: the son had climbed without permission, and to come down he would have to hand over part of his lands. The king agreed and the boy came down; but the servant was still paralyzed for having paid nothing, and the king handed over more land. And when he tried to stand, he could not either: he had asked permission to enter, but not to sit in the chair — and he had to hand over his crown. He lost lands and crown to the sorcerer, for not listening to Orunmila's advice.

The ruler of a rich region came to Orunmila to learn something about his son's life. This Odù of Ifá came out of the osode, and with it the order to bring him the boy to make ebbó for him; if he did not do it, father and son had great trouble ahead of them.

The king wanted to know what trouble could fall on them, with all the power he had, and he simply left Orunmila's house.

Some time later, the son left the castle and went walking around the city. In the yard of a house he noticed a beautiful cherry tree loaded with fruit. At the back of that yard there was a man busy with his work. The boy went in, climbed the tree to reach the fruit, and did not ask anyone for permission. When he tried to come down, he could not; when he tried to speak, he could not either.

A good while went by like that. The king noticed he was gone and sent one of his servants to look for him and bring him back. The servant reached that yard, saw the boy up in the tree, and went in to get him down, also without permission: as soon as he was under the tree, he was paralyzed too.

A long time passed like that, and worry made the king go out to look for him himself. As he came near that yard he saw his son up in the tree, and his servant below, at the foot of the tree. Puzzled, he headed over there, and before going in he asked permission from the man who was still at the back.

Once inside he took a chair, sat down and called his servant; the servant answered that he could not move, neither he nor the boy, and nobody knew why. The king then called the owner of the yard, who came over to ask him what he wanted. He told him his wish was to see his son come down from that tree. The answer was that the boy had gone in and climbed the tree without permission, and that to come down from there and go back home there were fees to pay: to hand over part of his lands and property.

The king agreed. The man said some magic words and gave the boy back his speech and his movement; the boy came down from the tree and ran to his father. With that settled, the king asked why the servant still could not walk, and the other man answered that it was because no fee had been paid for him yet. The king wanted to know what those fees would be, and the man answered him with a single word: lands.

He agreed to that too. The magic words were repeated, the servant got his movement back at once and came over to the king and his son.

With the two of them at his side, the king thanked the man and got ready to leave with them. The king's surprise was that he could not stand up. He turned to the owner of the yard again to ask him why he was unable to get to his feet. The answer came straight out: "You asked me permission to come into the yard, but not to sit in my chair, so you have to pay a fee." The king asked what it was, and the man answered that to leave that chair he would have to hand over his crown. He had no choice but to hand it over.

That is how he lost his lands and his crown for not listening to Orunmila's advice: because of his son he fell into the hands of a great ozainista, and the owner of the yard ended up rich, an ozainista who lived in that town.

2The road where paint was born

In the land of Boribalara lived Awó Beyekún, son of Shangó, with a very beautiful woman called Gueyere, who prayed and made beautiful suyeres; he was madly in love with her, but he did not like her standing in front of the mirror. Awó Asheri Bawa, son of Omó Legun, had a daughter with Oyá whom nobody looked at because she drew no attention, and she complained of having no luck in love. Omó Legun sent them to the foot of Osain; on the road Osain saw the plain woman's shadow in his mirror and wanted to make her beautiful, but he was missing something he had refused from Shangó, who had taken it to Orunmila. They went to the foot of Ifá: Otrupon Yeku came up, and Orunmila ordered food given to Oyá together with Orunmila and the great secret, and handed Osain what was missing: the paint, the eyebrow pencil, the lipstick. At the foot of Osain, he passed a fish over her face, gave her the fish's eyes, bathed her with herbs, Oyá washed her face, and he painted it with his eyes closed: she came out so beautiful that she was the attraction of the whole town. Awó Beyekún fell in love with her on sight and left his own house; a voice told him at the edge of the scrub «shake yourself off, give a rooster to Shangó and be read with your Ifá», but he paid no attention and stayed a slave to her. His own wife, Gueyere, went to Ifá, Oyekun Batuto came up, she made ebbó rubbing on cochineal, sweet-potato vine, pumpkin and cacao flower, and that is how she got Awó Beyekún back.

In the land of Boribalara, Awó Beyekún, a son of Shangó, had his house. His wife, Gueyere, was very beautiful; she prayed very nicely and her suyeres were just as nice, and he loved her madly, though it bothered him to see her standing in front of the mirror.

On the other side, Omó Legun had made Ifá for a son of his, Awó Asheri Bawa, who in turn had with Oyá a girl nobody noticed, because she did not draw attention. That was what worried the father: the daughter kept saying that no luck in love was coming to her.

One day he took her to Omó Legun, his father, hoping he would solve something for her. The instruction was to put her at the foot of Osain. For that he gave him sticks and herbs, with the charge to go all the way to where Osain lived singing the whole trip so that he would hear him: "Agogo ni legun, agogo ni le Osain ni guagua, agogo ni lekun, agogo ni le".

When he heard it, Osain asked: "Who is coming to look for me, calling me like this?" He had a mirror in his hand, and in it he could see the shadow of that woman, so he added: "I have to disfigure her; she is ugly, she has no luck, I have to make her pretty, but I am missing something that, when Shangó came, I told him I did not need, and he took it to Orunmila. Let me see what I can do."

Father and daughter arrived and Osain received them gladly. He heard from them the reason for the visit, but he warned them: "We have to go to the foot of Ifá so that Orunmila decides and gives him a thing that I badly need to make her inshé." He added that the girl had to be taken before Oyá, her mother, so that at the time Ifá did the ceremony for her, Oyá would eat next to Orunmila; and that they should make the trip with this song: "Evo evo nidira evo gulleguayo, evo evo toviseleso evo gulleguayo".

They set out with everything in a bag, except the makeup, which they did not have. Ifá heard them coming and asked: "What are these people coming to look for?" Awó Asheri Bawa answered: "I come so you will look at my daughter." From the reading Orunmila did for her came Otrupon Yeku, and his word was this: "I am glad you came together with Oyá, because we have to feed her together with Orunmila and the great secret, and hand you what she is missing: the makeup, the eyebrow pencil, the lipstick."

Once the ceremony for Orunmila and for Oyá was done with Ifá, the great secret of Oyá warned him that something was still missing: to finish straightening out the girl's situation, they had to go back to the foot of Osain.

There Osain took a fresh fish, passed it over her face, fed the inshé with the blood, took out its eyes and put them inside along with a bit of scale. Then he bathed her with pomegranate, botón de oro, orozús, siempreviva, paraíso, párami leaves, honey and pumpkin juice. In the middle of the bath he sent for Oyá to wash her face; right away, with her eyes closed, he began to paint her. When he finished he held a mirror up to her, and the girl found herself very pretty; Oyá and Awó Asheri Bawa found her so lovely that they could not contain their joy. Osain sent her off with one charge: "You have to walk around the town."

Back in her land she caused admiration in everyone who looked at her, and there was nothing in the town more attractive than she was. Awó Beyekún passed by there, and seeing her so lovely he was taken with her, and she with him. She set him a condition: "I accept you, but you have to come to my house so I can speak with my secret." He thought about it; being in love won out, and he answered: "Yes, tomorrow I will go there."

She got her inshé ready and gave it a chicken. Awó Beyekún arrived, saw her and was amazed, more in love than ever. Then she spoke to him plainly: "I know you have your wife, but if you want something with me, you have to come here, and I will leave everything and go from my father and my family to wherever you want." Awó Beyekún's answer was: "Give me time." She insisted: "Find me another place for us to go, to another land." He thought it was impossible, though he remembered that a short distance away there was a very pretty house. He went out with her, showed it to her, and from then on they lived together. She was a woman full of vice, and he fell in love in such a way that his own house was left abandoned.

One day, sitting at the edge of a thicket, a voice came to him with this warning: "Shake yourself off, give a rooster to Shangó and look at yourself with your Ifá." He did not listen to the warning, he stayed enslaved, and every visit to his house ended with some reproach to Gueyere, his wife.

She noticed all of that and decided: "I am going where Ifá is to see what he tells me." Before Ifá, Oyekun Batuto came out, and there they explained to her what she had to do. The ebbó took: cochineal, sweet potato vine, pumpkin, cocoa flower and a chicken. Orunmila did it for her and told her to rub that on her face; that was how Awó Beyekún stayed with her.

3The peanut farmers

The people of the land of Imale made their living trading peanuts, enough to live on; but a time came when they were all doing very badly, because they no longer took care of Orishaoko or of Shangó, the patrons of that business, whom they used to worship. The santos agreed to punish them: when the crop was growing, thunder fell on the peanut fields and the plantings burned, or the crop did not grow enough; and people fell ill and died. Seeing themselves so badly off, they went to Orunmila, who saw this Ifá for them and marked them ebbó with a cleansing, praying to Orishaoko and to Shangó, and giving them food so they could hold on to Shangó above all. So they did, for themselves and for their families, they gave them food and fruit, they were forgiven, and that year's harvests were bigger than before: all the people came out of the tight spot. To iban Eshu.

The people of the land of Imale traded in peanuts: that was what they harvested, and from that came just enough to live on. Over time, though, that whole town went downhill, because it had stopped attending to Orishaoko and Shangó, the patrons of that trade and the saints it used to worship.

The two of them came to an agreement and joined together to teach those people of such bad conduct a lesson. From then on, as soon as the crop was ready, thunder fell on the peanut field and wiped out the whole planting; in other seasons the plant gave nothing, or what they managed to gather was not enough. Every day they were worse off: some fell sick and others even died.

In that state they decided to go to Orunmila's house, and seeing this Ifá he marked them ebbó with a cleaning, plus praying to Orishaoko and Shangó and feeding them, so they could hold on above all to Shangó. The farmers did it for themselves and for their families, and took food and fruit to Shangó and Orishaoko. That is how they got forgiveness: that year the harvest was bigger than the years before, and all the people got out of the great tight spot they were in.

To iban Eshu.

8 more patakíes in this Odù, locked.Read every road in full with The Notebook.Unlock →
The full treatise is in English. With The Notebook, the whole sign opens on this page in English: the full text of every patakí, the recipes for the ebbós and works, and the iré and osogbo readings. · This page is also available in Spanish: See Otrupon Yeku in Spanish →

Frequently asked questions about Otrupon Yeku

What does the Odù Otrupon Yeku mean in Ifá?

Where it was born that women paint their faces: an Ifá of death circling and of abikú who must be tied down — you have to hold on to Shangó.

What number is Otrupon Yeku among the 256 Odù of Ifá?

Otrupon Yeku is Odù number 183 of the 256 in Ifá, part of the Otrupon family.

Which orishas speak in Otrupon Yeku?

In the Odù Otrupon Yeku these orishas speak: Shangó, Oyá, Orunmila, Obatalá, Ogún, Oshún, Osain, Oduduwa, Egun, Ibeyis (the twins).

What is a proverb of the Odù Otrupon Yeku?

One of the proverbs of Otrupon Yeku says: «Do not wait for the day of battle to sharpen your weapon.».

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