Odù 183 of 256 · Otrupon family

Otrupon Yeku

Where it was born that women paint their faces: an Ifá of death circling and of abikú who must be tied down — you have to hold on to Shangó.

Otrupon Yeku is Odù number 183 of the 256 in Ifá, part of the Otrupon family. This page brings together its prayer in Yoruba, 11 patakíes (3 with the full text), its proverbs, 9 ebbós and works and the signs it shows in the consultation; the detail of iré and osogbo, the eewó and the full recipes open with the Babalawo plan — that locked part is still written in Spanish.

The sign at a glance

Order in Ifá
Odù 183 of 256
Composition
Otrupon over Oyekun
Orishas that speak
Shangó · Oyá · Orunmila · Obatalá · Ogún · Oshún · Osain · Oduduwa · Egun · Ibeyis (los jimaguas)

What Ifá says in this sign

Otrupon Yeku is the sign where it was born that women paint their faces — cosmetics are its invention — and where nothing black can be worn: this odu lives on light, because death circles close to it. Its truth from birth: you are abikú — you were born marked, and you have to be tied down so you do not leave.

Its clinical warning is one of a kind: even when iré comes, it marks illness — in the house there is, or there will be, someone gravely ill: the iré of this odu excuses you from neither the doctor nor the work. The person here is «more dead than alive», and the orugbo is what lifts them: the beef on the hot iron — with the warmed water that is drunk — is this odu's resurrection ceremony.

«Even when iré comes, it marks illness — the iré of Otrupon Yeku excuses you from neither the doctor nor the work.»The pulse of Otrupon Yeku

Your money has a thermostat: the door is hot, and that is why money does not come in — scrub it with herbs and give it blood: money comes in through cool doors. And do not throw curses: the mouth that curses turns aside the money already on its way to you.

What is pending in the heart: the resentment toward a brother — of blood, of osha or of Ifá — is healed before it makes you sicker; the husband who has you going without, onto the mat; the meal you are invited to, turned down: they are preparing something to kill you; and hold on to Shangó when death circles — he is your column in this odu.

And the love secret of this sign: setting Oyá to eat with Orunmila to draw the woman in — the alliance of the wind and of wisdom brings company. Move the furniture around (the bed first), give thanks to the twins for the love that is coming, and to the marked abikú, her tie-down: the one born marked to leave, well tied down, stays and lives her whole life.

The sign in one line

Dress in light colors, cool your door and tie down your abikú — Otrupon Yeku lifts up with Shangó the one who was more dead than alive.

The prayer of Otrupon Yeku · Yoruba

Otrupón Yekú Oyekuke Ikú Yeye Adifafun Iroko. Akukó Odifa Shaoko Tobo Sile Akukó Eyelé Aiboncha Cáscara De Maní, Kaferefún Shangó, Obbatalá Y Oggún.

Súyere
Evo evo nidira evo gulleguayo, evo evo toviseleso evo gulleguayo.

Ifá says — what Otrupon Yeku tells you

Proverbs of Otrupon Yeku · Òwe

12 proverb interpretations in this Odù, locked.Every proverb explained: which road it comes from and how it applies. Written in Spanish for now.Unlock →

Iré and Osogbo

5 iré and osogbo readings in this Odù, locked.The iré and osogbo of the sign, sorted by subject — health, money, love, death, loss… Written in Spanish for now.Unlock →

What is born in Otrupon Yeku · Ìbí

What is forbidden · Eewó

5 eewó (taboos) in this Odù, locked.What the child of this sign must not eat, do or wear. Written in Spanish for now.Unlock →

Ebbós of Otrupon Yeku · The sacrifices that open the road

Alejar la muerteEbbó so Ikú goes away🔒 Babalawo
Alejar la muerteThe ebbó of the wool blanket🔒 Babalawo
Alejar la muerteThe ebbó for intori Ikú (the coffin box)🔒 Babalawo
Vencer enemigosThe ebbó of the tongue and the chain🔒 Babalawo
DineroThe ebbó of the peanut farmers🔒 Babalawo
AmorThe ebbó of the paint🔒 Babalawo
6 ebbós in this Odù, locked.Each full recipe: ingredients, preparation and where it goes. Written in Spanish for now.Unlock →

Works of Otrupon Yeku · The workings of the sign

SaludThe hot iron and the meat for Orunmila🔒 Babalawo
AmorThe bath of the paint (the great secret of Oyá)🔒 Babalawo
AmorThe ebbó of the neglected woman🔒 Babalawo
3 works in this Odù, locked.Each full recipe: ingredients, preparation and where it goes. Written in Spanish for now.Unlock →

Patakíes of Otrupon Yeku · The roads of the Odù

1For not believing in Orunmila he lost all his riches

A king of a rich region went to Orunmila to know about his son's life; Orunmila saw this Ifá and told him to bring the son to be made ebbó, or they would go through great trouble. The king, trusting in his own power, left without obeying. The son went out walking, saw a cherry tree loaded with fruit in a yard, climbed it without asking permission — and when he tried to come down and to speak, he could not: he was left paralyzed. The king sent a servant to fetch him, who also went in without permission and was left paralyzed under the tree. The king came himself, asked permission, sat down in a chair, and the owner of the yard — an ozainista — explained: the son had climbed without permission, and to come down he would have to hand over part of his lands. The king agreed and the boy came down; but the servant was still paralyzed for having paid nothing, and the king handed over more land. And when he tried to stand, he could not either: he had asked permission to enter, but not to sit in the chair — and he had to hand over his crown. He lost lands and crown to the sorcerer, for not listening to Orunmila's advice.

Once a king of a rich region went to Orunmila's house in order to learn something about his son's life. Orunmila made osode for him, seeing this Odù of Ifá, and told the king to bring him his son to make ebbó, because otherwise the king would go through great trouble, and his son as well.

The king asked Orunmila what trouble they could possibly have, powerful as he was, and left Orunmila's house right after that.

One day the king's son left the castle and began walking about the city, seeing in the yard of a house a beautiful cherry tree loaded with fruit. In that yard, at the back, was a man going about his tasks. The boy went into the yard and climbed the tree to take the fruit, without asking permission; and when he tried to come down he could not, and when he tried to speak he could not either.

A long while passed like that, so the king, noticing his absence, sent one of his men to find him and bring him back. The servant passed by that yard and saw the boy up in the tree, and went in without asking permission to fetch him; on reaching the foot of the tree, he too was left paralyzed.

A long time passed in this state, which brought on the king's worry, and he decided to go and look for him himself. As the king passed near that yard, he saw his son in the tree and his servant under it, and headed into the yard, intrigued, asking permission from the man at the back to come in.

When the king went into the yard, he took a chair and sat down in it, calling his servant, who answered that he could not move, neither he nor the boy, for reasons unknown. Because of this, the king called the man in the yard, who came toward the king and asked what it was he wanted. The king told him that what he wanted was for his son to come down from the tree. The owner of the yard answered that his son had come into the yard and climbed the tree without permission, and so, in order to come down from the tree and go home, he would have to pay dues, which were to hand over part of his lands and property.

The king agreed, and right away that man, speaking some magic words, gave the boy back his speech and his movement, and he came down from the tree and ran to his father. After that, the king asked the man in the yard why the servant still could not walk, and the man answered that it was because the servant had not paid any dues yet. Then the king asked what dues he should pay for the servant, and the man answered: lands.

The king agreed to that too, and the man repeated those magic words, and the servant immediately got his movement back and went over to the king and his son.

Seeing his son and his servant at his side, the king thanked the man and prepared to leave with them. But what a shock the monarch got when he tried to stand up and could not. In that state he turned again to the man, asking why he was unable to stand. To which the man answered: «You asked my permission to come into the yard, but not to sit in my chair, and so you have to pay a due.» The king asked what that due was, and the man answered that to get up from the chair he would have to hand over his crown, and the king was forced to hand it over.

The king lost his lands and his crown for not listening to Orunmila's advice; falling into the hands of a great ozainista because of his son, and making rich the owner of the yard, who was an ozainista living in that town.

2The road where paint was born

In the land of Boribalara lived Awó Beyekún, son of Shangó, with a very beautiful woman called Gueyere, who prayed and made beautiful suyeres; he was madly in love with her, but he did not like her standing in front of the mirror. Awó Asheri Bawa, son of Omó Legun, had a daughter with Oyá whom nobody looked at because she drew no attention, and she complained of having no luck in love. Omó Legun sent them to the foot of Osain; on the road Osain saw the plain woman's shadow in his mirror and wanted to make her beautiful, but he was missing something he had refused from Shangó, who had taken it to Orunmila. They went to the foot of Ifá: Otrupon Yeku came up, and Orunmila ordered food given to Oyá together with Orunmila and the great secret, and handed Osain what was missing: the paint, the eyebrow pencil, the lipstick. At the foot of Osain, he passed a fish over her face, gave her the fish's eyes, bathed her with herbs, Oyá washed her face, and he painted it with his eyes closed: she came out so beautiful that she was the attraction of the whole town. Awó Beyekún fell in love with her on sight and left his own house; a voice told him at the edge of the scrub «shake yourself off, give a rooster to Shangó and be read with your Ifá», but he paid no attention and stayed a slave to her. His own wife, Gueyere, went to Ifá, Oyekun Batuto came up, she made ebbó rubbing on cochineal, sweet-potato vine, pumpkin and cacao flower, and that is how she got Awó Beyekún back.

On this road, in the land of Boribalara, there lived an Awó Beyekún who was a son of Shangó, and he lived with a very beautiful woman called Gueyere. She was a woman who prayed very beautifully and made very beautiful suyeres, and Awó Beyekún was madly in love with her; but he did not like her standing in front of the mirror.

Omó Legun had a son, whom he had made Ifá, called Awó Asheri Bawa; and he had a daughter whom nobody looked at because she drew no attention, and she was his daughter with Oyá. Awó Asheri Bawa lived worried because his daughter was always complaining that she had no luck in love.

One day Awó Asheri Bawa went out with his daughter to the house of his father Omó Legun, so he would do something for her; and he told him he had to take her to the foot of Osain, and gave him sticks and herbs so he could reach where Osain was, going along the road singing so Osain would hear him: «Agogo ni legun, agogo ni le Osain ni guagua, agogo ni lekun, agogo ni le.»

Osain, hearing this, said: «Who is coming for me, calling me?» Osain, who had a mirror in his hand, saw the woman's shadow and said: «I have to change her; she is plain, she has no luck, I have to make her beautiful, but I am missing something that, when Shangó came, I told him I did not need, and he took it to Orunmila. Let me see what I can do.»

When Awó Asheri Bawa arrived with his daughter, Osain received them very happily. They explained what they had come for, but Osain told them: «We have to go to the foot of Ifá so Orunmila decides and gives him a thing I badly need to make her inshé.» Osain told him that he had to take his daughter to her mother Oyá, so that when Ifá was going to make the ceremony, Oyá would eat together with Orunmila; and that he should go along singing: «Evo evo nidira evo gulleguayo, evo evo toviseleso evo gulleguayo.»

They went along the road carrying everything except the paint, in a basket. Ifá, hearing them, said: «What have these people come for?» Awó Asheri Bawa said: «I have come for you to read my daughter.» Orunmila read her and Otrupon Yeku came up, and he said: «I am glad you came together with Oyá, because she has to be given food together with Orunmila and the great secret, and you have to be handed what is missing: the paint, the eyebrow pencil, the lipstick.»

Awó Asheri Bawa made the ceremony together with Ifá to Orunmila and to Oyá, and the great secret of Oyá told him that, to finally settle his daughter's situation, he had to go to the foot of Osain.

When they came to the foot of Osain, he took a fresh fish, passed it over her face, gave its blood to the inshé, took out its eyes and put them inside with a little of the scales; he bathed her with pomegranate, botón de oro, orozús, siempreviva, paraíso, párami leaves, honey and pumpkin juice. While Osain was bathing her, he called Oyá to wash her face, and Osain began to paint with his eyes closed. He finished and held a mirror in front of her, and she saw herself very beautiful; and Oyá and Awó Asheri Bawa saw their daughter so lovely that they were overjoyed. Osain told her: «You have to walk about the town.»

She went off to her land, and when everyone saw her, they were charmed, and she was the attraction of the whole town. Just then Awó Beyekún came along and saw this woman, so lovely, and he fell in love with her and she with him. She told him: «I accept you, but you have to come to my house so I can speak with my secret.» He thought it over, but he was so much in love with her that he said: «Yes, tomorrow I will go there.»

She got her inshé ready and gave it a chicken; and when Awó Beyekún arrived and saw her, he was struck and fell more in love with her. She told him: «I know you have your wife, but if you want something with me, you have to come here, and I will leave everything and go from my father's and my family's side to wherever you want.» Awó Beyekún said: «Give me time.» But she said: «Find another place for us to go, to another land.» He told her that was impossible, but that very close by there was a very beautiful house. He went out with her and showed it to her, and from then on they began living together. But she was a woman of vices, and he came to be so much in love with her that he had his own house abandoned.

One day he sat down at the edge of the scrub and heard a voice saying: «Shake yourself off, give a rooster to Shangó and be read with your Ifá.» He paid no attention, went on being a slave to her, and every time he went to his house he always found some fault with his wife Gueyere.

Awó Beyekún's wife realized what was going on and said: «I am going to Ifá to see what he tells me.» When she came to Ifá, Oyekun Batuto came up, and Ifá explained to her what she had to do. For the ebbó: cochineal, sweet-potato vine, pumpkin, cacao flower and a chicken. Orunmila made ebbó for her and told her to rub that on her face; and then Awó Beyekún stayed with her.

3The peanut farmers

The people of the land of Imale made their living trading peanuts, enough to live on; but a time came when they were all doing very badly, because they no longer took care of Orishaoko or of Shangó, the patrons of that business, whom they used to worship. The santos agreed to punish them: when the crop was growing, thunder fell on the peanut fields and the plantings burned, or the crop did not grow enough; and people fell ill and died. Seeing themselves so badly off, they went to Orunmila, who saw this Ifá for them and marked them ebbó with a cleansing, praying to Orishaoko and to Shangó, and giving them food so they could hold on to Shangó above all. So they did, for themselves and for their families, they gave them food and fruit, they were forgiven, and that year's harvests were bigger than before: all the people came out of the tight spot. To iban Eshu.

The people of the land of Imale made their living trading peanuts, since that was what they harvested there; it was enough to live on. But a time came when all the inhabitants of that land were doing very badly, because they no longer took care of Orishaoko or of Shangó, who were the patrons of that business and whom they used to worship.

At which those santos agreed and joined together to punish these people who were behaving so badly; and when the crop was growing, thunder fell on the peanut fields and all the plantings burned, and other times the crop did not grow or not enough could be gathered. And so the people were in worse condition every day, and some of them fell ill and others died.

Seeing themselves in such a bad state, they decided to go to Orunmila's house. When Orunmila saw this Ifá for them, he marked them ebbó with a cleansing, and to pray to Orishaoko and to Shangó, and to give them food, so they could hold on to Shangó above all. So the farmers did, for themselves and for their families, and they gave food and fruit to Shangó and to Orishaoko; they were forgiven, and that year's harvests were bigger than in the years before. And that is how all the people were able to come out of the great tight spot they were in.

To iban Eshu.

4The hunter, the jackal and the boar🔒 Babalawo
5The monkeys and the parrot🔒 Babalawo
6The haunted desert🔒 Babalawo
7The two friends🔒 Babalawo
8The war against Iku and against Arun🔒 Babalawo
9From greed to death🔒 Babalawo
10The crossing of energies🔒 Babalawo
11Whoever wastes ends up in need🔒 Babalawo
8 more patakíes in this Odù, locked.Read every road in full with the Babalawo plan. Written in Spanish for now.Unlock →
Before you subscribe: everything you read on this page is in English, but the locked part of the treatise — the full text of the other patakíes, the recipes for the ebbós and works, the iré and osogbo readings and the eewó — is still written in Spanish. We are translating it. · This page is also available in Spanish: See Otrupon Yeku in Spanish →

Frequently asked questions about Otrupon Yeku

What does the Odù Otrupon Yeku mean in Ifá?

Where it was born that women paint their faces: an Ifá of death circling and of abikú who must be tied down — you have to hold on to Shangó.

What number is Otrupon Yeku among the 256 Odù of Ifá?

Otrupon Yeku is Odù number 183 of the 256 in Ifá, part of the Otrupon family.

Which orishas speak in Otrupon Yeku?

In the Odù Otrupon Yeku these orishas speak: Shangó, Oyá, Orunmila, Obatalá, Ogún, Oshún, Osain, Oduduwa, Egun, Ibeyis (los jimaguas).

What is a proverb of the Odù Otrupon Yeku?

One of the proverbs of Otrupon Yeku says: «Do not wait for the day of battle to sharpen your weapon.».

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